FROGS!!--ECO TERROR!!

Directed by George McCowen.
Starring: Sam Elliot!! and Ray Milland!!




Ray Milland is a rich, evil industrialist, Jason Crockett, polluting the world with his products. Sam Elliot,(minus a mustache but with the same cowboy voice), is a freelance photographer working for an enviromental magazine, Picket Smith, [if I ever change my name].  While Picket is canoeing around a private island, taking pictures of pollution and debris, his canoe is knocked over by the fun-loving kids of rich Mr. Crockett. They invite him to join the family for the afternoon, (I think I heard something about the 4th of July?). [yeah, they definatly mentioned the 4th of july]


There are three black characters in the film; two of them are servents and the third is a fashion model that one of Crockett's sons is dating as an act of rebellion. Why do I mention this? It's just one of those staples of seventies cinema. There's two forms of racial exploitaion going on within the film, and, hopefully the filmmakers intended it that way. I like to think that they realized that, but I'm not sure that they did.



Well, as to be expected, the frogs begin to take over the island. Death by death, we really don't care about the people, except for Pickett, that is. Does he die? Does he survive?



As far as seventies 'nature gone bad' movies go, this one is actually pretty good. It's certainly not good in the sense that 'The Godfather' is good, but more like "Attack of the Killer Tomatoes" is good. It really makes me want to watch "Squirm".




Academy Award winner Ray Milland.
"The Lost Weekend"
"Dial M for Murder"
"X: The Man With the Xray Eyes"
and dozens more.

MOH: family

Directed by John (American Werewolf in London) Landis.
Starring: George "NORM!!" Wendt.



George Wendt is a family man. During the opening credits, we get a little tour of his house while listening to an upbeat gospel about Jesus. The tour ends in the basement where we discover George pouring acid over a corpse dissolving the flesh and muscles and other lovely tissues. What a wonderful sight. George talks to the body and refers to it as 'grandpa'. We soon meet the rest of the family, his wife and daughter, who sits too close to the tv. They just happen to be skeletons, fully dressed skeletons that happen to have conversations with him. In moves the new neighbors, a lovely young couple that gets drunk their first night there and crashes into "Norm's" brick laden mailbox. They don't even notice the skull that's among the debris. They quickly get cozy as neighbors; dinners, friendly visits and favors.




...and then...



That's about the best set up I could give without ruining the fun of the film. John Landis' horror films are the fun, kinda silly ones. Which makes sense, since he's essentially a comedy director. George Wendt is great as the serial killer, he's just about perfect in this role. Make sure you never get in a car with him. The fairly consistant gospel music adds a little...something to the feel of the film.



In the realm of Masters of Horror, this is a better, not a best, but a really good episode. It's on the recommended list. Very fun.

MOH: the screwfly solution

Directed by Joe (Gremlins) Dante.
Starring: Jason Priestley, Kerry Norton, and Elliot Gould!




MEN ARE GOING CRAZY!!!!!
There is an epidemic of men killing women and it begins in Jacksonville, Florida,(of course). An epidemiologist, (new word for me, too) is sent in to find out what's going on. Unfortunatly, She doesn't last very long. At first, it appears that it's a bunch of violent religious fundamentalists. The madness spreads quickly.



Scientists, Priestly and Gould, believe that someone has released a toxin that confuses men's lust with violence. The only solution, chemical castration, doesn't go over too well with the men in charge. As the epidemic spreads, Priestly warns his wife and daughter to move north and not let him near them. During the journey north to 'uncle' Gould's cabin, they learn to use a gun, mom teaches daughter to drive, men quote scripture and talk about seeing angels, and they run into dear old dad.



I found a really good image from the episode, but I don't want to post a spoiler image.

As far as Masters of Horror episodes go, it's another mid-range one. Not really 'horrific', unless you are interested by gender issues, and not as good as Dante's previous installment, "Homecoming", but we'll get to that one someother time. Early in the episode, the handheld camerawork is a little distracting. The violence and gore are appropriate. It has it's moments and an interesting twist towards the end.

MOH: Dream Cruise

Directed by Norio Tsuruta.
Starring: Daniel Gillies, Yoshino Kimura and Miho Ninagawa.

For season two's japanese director, producers surprisingly went with Norio Tsuruta whose best known for "Ringu: Zero", the prequal to the "Ringu" series and the better than average "Premonition", (not the ridiculous one with Sandra Bullock). Producers made this the season finale. Why? I'm guessing that it has to do with the 87 minute running time. Why did they let this film be roughly 30 minutes longer than other, more deserving episodes? I'm really not sure. There is good bit of tension that gets built up throughout the film, as well there should be. However, this is in no way one of the series best films. I'd say it ranks right in the middle.



The story is a fairly typical one. An American buisinessman in Japan is having an affair with his bosses wife. The boss invites him to join them on an evening cruise on his boat, named "Yuri" after his wife. American buisinessman isn't to keen on the idea. Not only will he be trapped on a boat with his mistresses intimidating husband/his boss, but American buisinessman watched his little brother drown when they were kids. The early half of the film focuses on whether or not the husband knows whats going on with obtuse accusations which create moments of unease. The boats propeller stops. Japanese boss/husband gets wetsuited up and dives in to try and fix it. The usual japanese tentacle of hair attacks his arm as the propeller starts up.



That's when the movie gets fun; stabbings, severed limbs, ghost women and children, flashbacks of murder. The gore and special effects are quality and really fun. I'm a big fan of the illuminescent ghosts. I like to think of them as old-timey ghosts a-la "The Canterville Ghost".



Overall, it's a good film. Like I said, it's kinda right in the middle, as far as this series goes. Not the best, but certainly not the worst.

M.O.H.- The Damned Thing

Directed: Tobe Hooper
Starring: Sean Patrick Flattery.



A young boy's abusive father is killed by an unseen force. Many years later, that young boy is the sheriff of a small town were the townfolk begin acting violent; the earliest kills himself with a hammer. As the towns violence escalates, the sheriff does his best to quell the violence, but.....spoiler.



His son may be the target of the unknown horror.
"Maybe".



good luck.

M.O.H.--The Black Cat

Directed by: Stuart Gordan
Starring: Jeffrey Combs, {yes, the great Jeffrey Combs}.



Combs stars as Edgar Allen Poe in an amazing combination of history meeting fiction. Poe, as drunk as history portrays him, has to take care of his ailing wife.

\

One thing leads to another.
She dies.
I really can't say any more without giving away plot points or character moments.
Jeffrey Combs will forever be Edgar Allen Poe.
If you watch this, you'll most likely agree.
Trust me, if you like Poe, you're gonna appreciate this.

Masters of Horror.

M.O.H.
The Masters Of Horror was a two season show on Showtime in which the great horror directors got a chance to make a one hour film with no restraint and no guidelines. They could do whatever they wanted. Many of the great horror authors and directors of today, as well as throughout history, have contibuted to this series. For it's "third" season, it was aquired by ABC and turned into "Fear Itself", the episodes weren't much differant. The televised versions were, of course, less graphic. The dvd release, however, kept the gory content.

I will be listing these as films since they are roughly 60 minutes and made by legitimate filmmakers, not to mention that some of them are better than most big budget horror films.

When I do "review" these titles, i will preface them with "M.O.H.".